
Now this is weird. For the first time that I can remember, a film under 65 minutes is receiving a standard commercial release. And Strange Way of Life is significantly shorter, clocking in at 32 minutes, at least three of which are end...
2023-10-09 03:44:50 +0000 UTC
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I really did not like Emma Seligman's debut feature Shiva Baby. In addition to simply finding it unfunny (while being aggressive about its own confidence that it was funny), it was just too mean-spirited for me. Danielle (Rachel Sennot...
2023-10-09 03:29:12 +0000 UTC
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Also, what the hell. Although it has not been officially announced yet, here's what I'm showing in November for my program in the Houston Cinema Arts Festival. The program is called "Eiffel Towers and Hoover Dams," which was the most enigmatic thing I c...
2023-10-05 01:06:28 +0000 UTC
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Yeah, sorry. It's been a minute since I gave you some of that good content.
But in addition to being buried under grading (which I just finished today), random assignments, the tail-end of Viennale work (also finished), presenting films in A...
2023-10-05 00:45:54 +0000 UTC
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BY REQUEST: Jake Levens
At the risk of being reductive, Scott Barley is the Philippe Grandrieux who doesn't fuck. Or, putting it less facetiously, Barley shares Grandrieux's interest in expanding the language of experimental cinem...
2023-09-23 19:42:02 +0000 UTC
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Although I have consistently found the work of Tulapop Saenjaroen interesting, I have yet to figure out quite what to do with it. The first film of his I saw, Room With a Coconut View, was the one I appreciated most since, despite its unusual a...
2023-09-21 04:36:45 +0000 UTC
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No one else's films look like Isiah Medina's. He is one of the only contemporary filmmakers who seems not only to have taken stylistic cues from late Godard but to move those methods in a newer direction. It isn't just the fact that films like Inven...
2023-09-21 03:51:43 +0000 UTC
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Going into Orlando, I knew only a little about Paul B. Preciado, a queer theorist who completed his dissertation under the tutelage of Jacques Derrida. Much of his work has been about transgender experience as a liminal state that severs the pr...
2023-09-18 02:21:35 +0000 UTC
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BY REQUEST: Brandon
Oh, Inverted World
I'll confess, Bert Haanstra is one of those names that has always been bouncing around in the back of my head, as someone I should really look into. And to be honest, I could say the same thing about Dutch cinema in general. Granted, I have seen a couple of Joris Ivens ...
2023-09-18 01:21:48 +0000 UTC
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Nothing but home-baked goodness.

Mademoiselle Ke...
2023-09-16 04:39:16 +0000 UTC
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My piece on Wavelengths is forthcoming at MUBI. I couldn't address every film, but here are some of the ones I did.

Slow Shift (Shambhavi Kaul, 2...
2023-09-13 02:52:15 +0000 UTC
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How would you know if there was a festival film lurking in your neighbo(u)rhood? Do you recognize the signs?

2023-09-13 02:40:19 +0000 UTC
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I'm a bit buried at the moment. There will be new writing up here soon.
But for now, enjoy one frame each from every shot in Godard's "trailer" for Phony Wars.

2023-09-11 19:54:57 +0000 UTC
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First, I want to thank all who have participated up to this point. This has worked out even better than I imagined, since I've gotten to see films I might not have gotten to for years.
Second, here are the next three selectors. But know that I am ...
2023-09-02 20:28:28 +0000 UTC
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A few more brief remarks on films I'm screening for TIFF, etc.

Spirit of Ecstasy (Héléna Klotz, 2023) [TIFF]
A fairly conventional film in punk attire, Spirit of Ecstasy suggests what might have happened if Lisbet...
2023-09-02 18:26:52 +0000 UTC
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BY REQUEST: Alex
It's always a pleasure to catch up with an as-yet-unseen classic from the Japanese New Wave. These directors tend to exhibit a formal approach that I find rigorous and seductive, mainly because the radical anti-il...
2023-09-02 17:54:47 +0000 UTC
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BY REQUEST: John Edmond
Few things are more gratifying than discovering a film that's not only major in and of itself, but seems to serve as a missing link in cinematic history. This is the first film I've seen by the Cantrills, t...
2023-08-28 02:43:26 +0000 UTC
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Yes, 'tis the season. I am currently previewing TIFF films for Cinema Scope, and Venice Days films for InRO. Below are brief excerpts of the reviews that will appear later in those venues.
My hope is that (a) it will give you a sense of what I've ...
2023-08-27 03:09:48 +0000 UTC
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On first glance, Lady Killer (Gueule d'amour) is not as immediately stylish or fluid as the other Grémillons I've seen. Certain early scenes felt rushed, and the director seemed to be relying on awkward pillow shots (e.g. the clocktow...
2023-08-21 00:14:49 +0000 UTC
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Back in the days of the Movie Nerd Discussion Group, someone introduced the initialism YMMV. This of course means "your mileage may vary," taking the car commercial disclaimer and applying it to movies whose pleasures are highly subjective.. I thought a...
2023-08-19 20:04:46 +0000 UTC
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BY REQUEST: Mike D'Angelo
This is one of those canonical masterworks I just somehow never got around to, and although my thinking about cinema would have been more advanced in many ways if I had seen it before, I'm glad t...
2023-08-19 05:00:52 +0000 UTC
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An In Review Online extra!
"As is often the case with Loach’s collaborations with screenwriter Paul Laverty, The Old Oak simplif...
2023-08-17 20:07:49 +0000 UTC
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Hey folks, I have fallen behind on subscriber requests as well as new releases, so sorry about that. This is That Time of Year, when the flood of writing assignments comes in: TIFF capsules for Cinema Scope, catalogue entries for the Viennale, and a sma...
2023-08-16 19:52:37 +0000 UTC
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I have one more film to watch and write up from the last tombola. Some dude called Michael Del Angelo has asked me to watch something called Woman in the Dunes. Never seen it! Should be a hoot.
I meant to watch it today, but I've had an i...
2023-08-10 04:55:25 +0000 UTC
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BY REQUEST: Michael Dodson
Okay, so a little context. When I first started making top ten lists going back through the years, I felt like I needed to be honest about my experience of the Films of the 1980s. I wasn't a cinephile as...
2023-08-09 02:47:49 +0000 UTC
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BY REQUEST: David Katz
For what strikes me as a minor film, its writer-director clearly wrote and directed the hell out of it. What's immediately striking about Trouble in Mind, apart from its "We Love the 80s" aesthetic,...
2023-08-08 02:12:12 +0000 UTC
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While watching Barbie, I was thoroughly enjoying myself. I not only found it clever and self-aware, but also appreciated the large-scale physical constructions Gerwig got Mattel to spring for. In the design of Barbieland, as well as the "Mattel...
2023-08-07 21:43:39 +0000 UTC
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I've been writing a fair amount for In Review Online, and this means I end up reviewing films that don't necessarily get addressed on this site. So as I've done before, I'll post excerpts from those upcoming reviews, and add links to the full-length pie...
2023-08-07 03:45:05 +0000 UTC
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BY REQUEST: Matthew McGee
I'm not sure how I managed to miss Sound of the Mountain back when I was doing my deep dive into Naruse. Of course, the man has dozens of extant films, and it'll take years to work through them a...
2023-08-02 11:11:59 +0000 UTC
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As many have remarked already, this is Petzold's most Rohmerian film. A seaside getaway becomes an interpersonal proving ground for a self-important intellectual (Thomas Schubert) buckling under the pressure to produce a second novel as successful and a...
2023-08-02 01:56:17 +0000 UTC
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