Hi Everyone! ๐งก
As I promised - Iโm sharing with you Step By Step of my first oil painting study ๐
I tried painting with oils few times when I was a teenager but only for some still life studies. The only thing I remembered was that itโs very pleasant but messy and that the turpentine smell is too strong to use it at home. Some time ago I watched IGTV with Szymon Chwalisz on Paper Concepts Instagram. Heโs a painter (working with oil and acrylics) and showed there that oil painting doesnโt have to be messy or smelly ๐ He doesnโt even use turpentine. I was thinking about trying again since then. Iโm so happy I finally did! This is so freaking pleasant ๐
And hereโs the Step by Step ๐
MATERIALS:
I didnโt wanna use canvas to start practicing. This pad is very good in my opinion and I felt like drawing in a sketchbook ๐ It has nice texture and didnโt get wavy after applying the paint. I have a set of Winsor & Newton - Winton line oil paints recommended by the same painter ๐จโ๐จ ๐ Iโm happy with them so far.
I have few synthetic brushes in different shapes and sizes. Synthetic brushes are good for smooth blending.
I used low odour solvent which is a great alternative for turpentine (itโs also hypoallergenic). Also linseed oil that helps you to create smooth blending of colors.


COLOR PALETTE ๐จ
I didnโt have a proper palette (glass or plexi) so I used cover from the Ikea box. Worked pretty well ๐ I have this porcelain stand from (Paper Concept) but itโs too high for smaller brushes.
Remember to have a piece of cloth to clean your brushes from paint during painting. I had a paper towel this time.
I squeezed four portions of white paint (like a pea grain size) and one portion of each color (besides black). I didnโt know what Iโm doing but I just tried to create few skin and lips tones. Used the palette knife for mixing. I tried to create some of them with reddish tinge and some with more yellow/green.
To create black (but not so black as straight from the tube) I used ultramarine and raw umber mix.

1. PENCIL SKETCH
I used this reference because of the beautiful light and shadows on it โ๏ธ๐ผ๐ป
I sketched the portrait with HB pencil. Itโs not easy on such strong texture but still ok to erase so itโs fine ๐

2. STRONGER/LIGHTER
I sketched all the features with pretty strong lines and blocked the shadow areas. Then I rolled the sketch with eraser to make it lighter.

3. WHITE ACRYLA GOUACHE (or acrylic)
You can do the sketch with a light paint but if you prefer pencil like me, you need to impregnate it with a light layer of acrylic mixed with water. I didnโt have acrylic but acryla gouache was fine as well โ๏ธ If you wonโt impregnate the sketch, graphite might react with oils and make colors muddy/ desaturated.
Canvas was a bit wavy from water but then it came back to normal.

4. DARK ELEMENTS FIRST
I wasnโt sure how to start but heard somewhere that from dark elements so thatโs what I did ๐ I left light areas white.

5. GENERAL TONES
I painted general, average tones. Wasnโt sure about leaving the white parts so started to cover them with a thin layer of paint.

6. BLENDING
I used small, flat brush with linseed oil to blend borders between colours. I didnโt wanna keep very strong contrasts because they would be like contours and they donโt work in realistic art (in my opinion).

7. LIGHT, CONTRAST AND FRECKLES
I used pure white paint to make highlights and just a small, dirty brush to paint freckles. I kept hair messy and "unfinished" because I liked this effect ๐


Iโm so glad you liked it ๐๐ค I hope the process will be inspiring for you ๐น
Hugs ๐งก
Gaby